Senegal: Dakar and 2 Days At Sea
April 21 - 23, 2012
Aboard National
Geographic Explorer
Saturday, April 21, began with the usual clearance
procedures in Dakar, the capital of Senegal. We walked a short way down the
dock to board a ferry and a 20-minute, 1.2-mile ride to Gorée Island. The 45-acre
island is now a UNESCO World Heritage Site because of its historic role in the
slave trade. There are debates about how many slaves were actually processed through
Gorée Island.
The Maison des Esclaves (House of Slaves) is a popular
tourist destination and place of pilgrimage for African Americans, especially
after Alex Haley’s book Roots came
out. It was restored in 1962 as a museum and houses a “Door of No Return.” There
are many others elsewhere.
Fort Estrées on Gorée Island |
Viola Vaughn |
The afternoon outing involved driving around the city of
Dakar. The streets were modern, wide and paved and traffic seemed to be
organized. There were many modern multistory buildings and more under construction.
We drove through the heart of the business district and embassy areas before
heading to the Marché Sandaga market; the busiest in Dakar. This was a small
area with many shops and packed with people. I still can’t believe that we
drove, very slowly, through the area giving those in the front seats a great
view. Had the windows of the big bus been open, we could have reached out and
touched some things.
We next stopped at the Sand Painting Center where we watched
one artist at work. He first drew a picture using a brush and very thick glue.
He then took pinches of various colors of sand and sprinkled them over the glue
in a way he knew would produce the desired picture. It was amazing to watch and
I could not resist buying one of his pieces.
A short way out of town were the twin hills. On one of them
we saw the bronze African Renaissance Monument that overlooks the Atlantic
Ocean. Designed by a Senegalese artist and built by a North Korean company, it
is the tallest statue in Africa. It was completed and unveiled in 2010. Some in
our group climbed up to the base of the statue while I photographed it from
below.
The last stop of the day was Soumbédioune, a very
picturesque and bustling fishing village. Boats were still coming in with the
catch of the day and the market was lively with both sellers and buyers.
It was interesting to watch the men use large rollers to pull their boats onto the shore for the night. Our bus stopped to let us walk around through the area, which was a great experience. There was color everywhere. That was a great way to finish the afternoon.
It was interesting to watch the men use large rollers to pull their boats onto the shore for the night. Our bus stopped to let us walk around through the area, which was a great experience. There was color everywhere. That was a great way to finish the afternoon.
Dinner that night was on shore at Just4U, a Senegalese nightclub.
We packed the place and had three meal choices along with wine and other
drinks. A local band played Mbalax music for us throughout the evening. This
music is a combination of many forms of popular Western music combined with the
traditional drumming and dance music of Senegal.
The band included a Balafon,
which is like a marimba but with large, different sized Calbash (bottle gourds)
under the bars. Besides various kinds of drums there was a fellow playing the
Kora, which is a 21-string bridge-harp, that is unique to West Africa.
Although the music was loud, it was interesting. By the time dinner was
finished we decided to catch the first bus back to the ship. It had been a long
day.
Musician playing a Kora |
Sunday and Monday, April 22 – 23, we were at sea, sailing past
Mauritania. The days were filled with lectures and lots of picture editing.
There were also whales that came to check us out and interrupt whatever else
was going on.
Our next stop on Tuesday was Western Sahara.
That's it for now. Grace and Paul
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